“There are interesting forms of difficulty, and there are unprofitable forms of d…” — Billy Collins

The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.

Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers.

When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.

In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than Cummings.