"The job of the writer is to look at where he is now and make some sort of emotional sense of it, not..." — Colum McCann

I'm not interested in blind optimism, but I'm very interested in optimism that is hard-won, that takes on darkness and then says, 'This is not enough.'

It's not very fashionable, but I love life, and I believe that things disappear and reappear and nothing ever solidifies, no matter how middle-class, housebroken, staid, and solitary someone's life seems to be. That, I think, is what I'm writing about.

Very seldom in my fiction have I directly used the stories people have told me. I think ripping off people's lives in fiction is dangerous. It also lacks imagination.

I think literature can make familiar the unfamiliar, and the unfamiliar is very much about the dispossessed, and so the value of literature seems to me to go into the stories that not everybody wants to tell.