"My Tarkovsky idolatry was at its peak, but 'Nostalghia' really didn't do anything for me. 'The Sacri..." — Geoff Dyer

I think I can recognize when a piece is at a state of completion.

Practically everyone I know now is from a middle- or upper-middle-class background, and I no longer have the huge chip on my shoulder that I carried around for so many years. I'm not sure it comes out much in the work, but coming from this kind of background is absolutely central to my identity, to my sense of who I am.

I didn't get on a plane until I was 23, after I left Oxford and was teaching at Lucy Clayton Secretarial College in London.

I'm incredibly competitive in all sports in a way that is so mystifying to my wife because she grew up playing the violin and piano. I've always been like that.