"But I also wanted to give them an intelligent emotional journey, without having to suspend reality -..." — Graeme Murphy

For me it was really important to get the essence out of the music for the story and not, sort of, press the music into the service of the whimsical telling of it.

I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.

I think it requires a bit of honesty, Swan Lake.

It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.