"Culture relates to objects and is a phenomenon of the world; entertainment relates to people and is ..." — Hannah Arendt

Poets are the only people to whom love is not only a crucial, but an indispensable experience, which entitles them to mistake it for a universal one.

These are the fifties, you know. The disgusting, posturing fifties.

The more dubious and uncertain an instrument violence has become in international relations, the more it has gained in reputation and appeal in domestic affairs, specifically in the matter of revolution.

Economic growth may one day turn out to be a curse rather than a good, and under no conditions can it either lead into freedom or constitute a proof for its existence.