“There are three fundamental poses of the human figure. One is standing. The othe…” — Henry Moore

There are universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not shut them off.

I believe that nothing should be taboo - no theory or prejudice should close one's mind to a discovery.

In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.

I admit clearly and frankly that early Mexican art formed my views of carving as much as anything I could do.