“Like every novelist, I fantasise about film. Novelists are not equipped to make …” — John le Carre

Until we have a better relationship between private performance and the public truth, as was demonstrated with Watergate, we as the public are absolutely right to remain suspicious, contemptuous even, of the secrecy and the misinformation which is the digest of our news.

But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.

I wrote 'The Spy Who Came in from the Cold' at the age of 30 under intense, unshared personal stress and in extreme privacy. As an intelligence officer in the guise of a junior diplomat at the British Embassy in Bonn, I was a secret to my colleagues, and much of the time to myself.

I've had nothing to do with the intelligence world since I left it, in any shade or variety.