"The focus has to be about making good work. I don't ever want to be hired for a job because I'm a wo..." — Rachel Morrison

Usually, if you notice good cinematography, then the cinematographer's failing. I try to make light feel like it's always motivated and natural in some way and hope that the lighting goes unnoticed.

There's something so inspiring about being in real locations, where you can feel the tactile qualities from the layer of paint that has been chipping off and the hundreds of years that have been lived in the space.

I've had something like seven films at Sundance, one of which won the Grand Jury Prize.

The theatrical experience is also a communal one. When people saw 'Fruitvale' in the theater, there was not a dry eye at the end of the movie, and you would look to your neighbor and have this shared moment together that had a real weight behind it.