"If you're working in close-ups, then an actor is only able to act with his head. I like an actor to ..." — Sam Levinson

I can only get to a certain point as I write and then I have individual conversations with everyone that I cast. I always do a rewrite based on the conversations.

I remember John Waters's 'Pink Flamingos,' that was the film where I realized you could do anything you want - there were no boundaries.

I don't design stories to fit some political ideology. I design stories about characters who I love and care about, while trying to make sense of an increasingly mad and toxic and insane world.

Sometimes you can just have a dialogue with an actor beforehand and shape the performance then, but other actors need more guidance on the set.