"The idea that public safety, the safety of the innocent, is an absolute which trumps every other con..." — Tom Stoppard

You can't but know that if you can capture the emotions of the audience as well as their minds, the play will work better, because it's a narrative art form.

I can be affectionate about a lot of things without watching them.

There are certain sorts of jokes which have only to do with the substitution of the unexpected word in a familiar context. If you translated something into French and then had it translated back into English by somebody who didn't know the original, you'd lose what was funny.

It was a different planet in 1967, the Broadway theatre. It had a little ashtray clamped to the back of every seat and the author got 10% of the gross.