Harris Dickinson

You don't necessarily think that with a Disney prince that you're going to get to have a little bit of a character study there.

I think that sort of weird impostor syndrome is some of the time going to be present with anything you make.

If I'd have said to my 10-year-old self that I would be a Disney prince, I think he probably would've laughed.

I was conscious of being a British actor doing a ridiculous Brooklyn voice, so I toned it down.

A lot of imitation is having the ability to listen, and luckily I think I'm good with my ear.

I used to work at a Youth Theater and I worked on directing a variation of 'Beauty and the Beast.'

You have to learn how to stand up for yourself so I definitely related to that.

There are not many chances to be a Disney Prince and to have that level of regality, the costume, and the script.

My idea of romance... Is... Okay. I have an idea... I think my idea of romance is tailor-made pleasure.

I'm always game to work with exciting filmmakers and exciting artists.

The first time I had a Nathan's hot dog was in a scene and they were cold.

There's often a thing with the film industry that it's untouchable, that everything's guaranteed to just be fine and go on. But the fragility of life is a real thing.

I think it's always that thing of whatever anyone tells you, sometimes you need to experience it for yourself and sometimes you need to learn the hard way.

I worked in the basement of Hollister.

I worked as a litter picker, as a bin man.

I worked in a bar.

I don't know, there's something quite nice about tidying up.

I think I'm a good imitator, a good listener.

There's a real freedom in being involved in a comedy. You can lean into the silliness of who we are as people.

I'm a bit of a fanboy with everyone. When I worked with Angelina Jolie, that wasn't a small thing for me, you know? That was massive. I play it down, otherwise I get starry eyes.