Jo Nesbo

When you go visiting countries, you start reading the history of the place and you start getting into the culture, and then you have to leave. In my experience, all countries have hidden treasures.

In most sports, your brain and your body will cooperate... But in rock climbing, it is the other way around. Your brain doesn't see the point in climbing upwards. Your brain will tell you to keep as low as possible, to cling to the wall and not get any higher. You have to have your brain persuading your body to do the right movements.

I don't think I'll ever feel as famous or as popular as I felt when I was a 17-year-old soccer player in Modle. Only about 20,000 people live there and 12,000 of them come to every game. Running onto the pitch each week was just the most fantastic feeling. Nothing can beat that.

When I was a teenager, my father went bust. He could have declared himself bankrupt, but he was an honourable man and he insisted on paying back all his debts. That almost ruined the family. I was aware that my mother and father couldn't control things anymore. I guess I was afraid that we would end up on the street.

I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.

I feel more related to some American crime writers than I do to Stieg Larsson.

Those golden minutes before you are completely awake, when your mind is just drifting, you have no censorship; you are ready to develop any kind of idea. That's when I come up with the best and worst ideas. That is the privilege of being a writer - that you can stay in bed for an hour in the morning and it's work time.

The myth about me as a footballer has grown: I am now the lost Maradona of Norway.

You can't visit readers where you think they are. You have to invite them home to where you are and try to lure them into your universe. That's the art of storytelling.

The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.

I have questioned myself about the brutality in the last few novels. Actually in 'The Leopard,' in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. 'Phantom' has less blood.

Not even the brightest future can make up for the fact that no roads lead back to what came before - to the innocence of childhood or the first time we fell in love.

I wasn't that into crime novels at all, but a friend introduced me to the work of Jim Thompson - I loved all his books.

Normally I start with a plot, and write a synopsis, and the ideas come from the construction.

Ever since I was in my teens I had plans at one point in my life to write a novel.

The stock market to me was like a video game. When it went off, it was like turning the game off. It wasn't something I'd think about until I'd turn the machine on again.

My father grew up in Brooklyn, N.Y., with my grandparents. In Norwegian my name is pronounced 'Yoo' but my father used to call me 'Joe.'

'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

The nature of Scandinavians is that they don't talk so much, there will be these dark secrets, and most things are under-communicated.

At nineteen I was pretty sure I was going to be a professional soccer player. At that time I played for one of the Norwegian premier leagues. But I tore ligaments in both knees, so I started studying business administration and economics and became a financial analyst, and I worked at a brokerage firm as a stockbroker.