"I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a bea..." — Rachel Morrison

The focus has to be about making good work. I don't ever want to be hired for a job because I'm a woman. And I don't ever want to be recognized for a job because I'm a woman.

Usually, if you notice good cinematography, then the cinematographer's failing. I try to make light feel like it's always motivated and natural in some way and hope that the lighting goes unnoticed.

There's something so inspiring about being in real locations, where you can feel the tactile qualities from the layer of paint that has been chipping off and the hundreds of years that have been lived in the space.

I've had something like seven films at Sundance, one of which won the Grand Jury Prize.