Eddie Vedder

I was around nine when a babysitter snuck 'Who's Next' onto the turntable. The parents were gone. The windows shook. The shelves were rattling. Rock & roll. That began an exploration into music that had soul, rebellion, aggression, affection.

The one thing about going from the audience to the stage in just three years is that you know how it feels to be down there.

I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.

After the Ramones, it was more about new wave for me than punk.

Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.

You can go down the list of great artists and kind of understand that they are products of their environment. Whether it's U2 or Henry Rollins or myself or Johnny Lydon, they're gonna be products of their environment.

I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.

I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.

Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.

So my one kid's 4, my other kid's 4 months, I'm 44, Barack Obama is the 44th president - it's all lining up nicely here.

If I'm not on tour or in the studio, I'm in nature somewhere, usually some kind of ocean. Playing music has afforded me that. It's not lost on me that it's a tremendous opportunity to be able to spend your life being surrounded by nature.

I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.

If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.

I think that if your approach is one where you don't want to alienate anybody, you're going to have to soften the viewpoint or the information that you're offering to such an extent that it doesn't have the power to make any difference. You have to take that risk.

I probably get strangers coming up to me two or three times a week to just say something nice. I get more than my share of compliments as I walk through my daily life. I'm not having to show off or make a point about how good I am at doing something. I think I've always kind of been that way.

At a certain point, you realize you have a responsibility more behind yourself and your need for adrenaline. I'm glad I did things in my 20s that were more reckless.

It's not a bad time to be me.

If it's a good cause, I'll play just about anything.

I just think that all of us in this room should have a voice in how the USA is represented. And he don't allow us our voice, that's all I'm saying.

I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.