Jamila Woods

I think of music as creating a space. I like to put things in that are comforting to me and are nostalgic. To me, that's what sampling does in songs; it's making deeper layers for people who know where it comes from, but also referencing another part of my history and my memory or a memory that I have.

My artistic manifesto exists in the world as poetry. So even though most of the things that I've done have been on other people's projects or could be pigeonholed in certain ways, that's not how I perceive myself.

When I started writing poetry, it was always in very hip-hop influenced spaces: Someone would teach a Nas song side-by-side with a Gwendolyn Brooks poem, and we'd talk about the connections between those things.

It was through poetry I learned just to appreciate my own voice and to not think of my voice in terms of what it needs to be able to do, but what it can do.

I really liked 'Blk Girl Art.' It's like a manifesto saying why I create, whether it's poetry or music.

I have a band called M&O. We were working on our first album in 2011 or 2012. We were looking for people to collaborate with, and I met Chance through a Young Chicago Authors poetry slam.