Justin Lin

For the longest time, the Asian-American community would talk about representation, but I think it's also about the freedom to really shape, create, and explore issues that are important to us, regardless of whether it's positive or negative, as long as it's three dimensional.

When I go on set, it's very important, the lenses I choose, what I choose to frame or not frame and that's how I make my movies.

I remember when I was a kid, I'd watch 'Kung Fu Theater' on TV, and all the movies would star guys named things like 'Bruce Lai' - you'd never get the real Bruce Lee films. So when I finally saw 'Enter the Dragon,' I was like, 'Holy cow, who is this guy?'

When I was in film school I had this great professor, Jerzy Antczak, a Polish filmmaker, and Joe Russo of the Russo Brothers were in my class. It was this kind of Easter European philosophy of motivating camera only through character and motions, and just exploring with lenses. That was the best year of my education in my life.

I think within the ideology of what 'Trek' is, that it actually makes the daunting task of making something new more manageable, because it's part of 'Trek's' very design to tackle new worlds and characters.