Lynsey Addario

I've rarely seen portrayals of photojournalists that seem accurate.

The possibility to mobilize the international community to act on human suffering is what drives me every day as a photojournalist.

It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.

When I'm documenting, for example, a story on women in Afghanistan, I will do a huge amount of research and a lot of time on the ground just getting to know the women before I even start shooting.

Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?'

If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc.